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Network fictions and the global unhomely

机译:网络小说与全球性家庭

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摘要

The paper suggests that the increasing proliferation of network fictions in literature, film, television and the internet may be interpreted through a theoretical framework that reconceptuallises the originally strictlypsychoanalytic concept of the Unheimlich (Freud's idea of the ‘unhomely' or ‘uncanny') within the context of political, economic and cultural disources fo globalisation. ‘Network fictions' are those texts consisting of multiple interlocking narratives set in various times and places that explore the interconnections of characters and events across different storylines: novels such as William Gibson's Pattern Recognition (2003), Hari Kunzro's Transmission (2005) and Gods Without Men (2011), David Mitchell's Cloud Atlas (2004), or Rana Dasgupta's Tokyo Cancelled (2005) are some examples. My argument is that central to these fictions is a sense of a ‘global unhomely'. The sense of displacement, unhomeliness and global mobility that is conveyed in these fictions is fundamental to the experience of the Unheimlich. In addition, the ability of the concept to convey a combined sense of the familiar and the strange is useful in exploring the ways in which these fictions engage with theoretical debates on globalisation that perceive the interaction between global flows and local cultures either in terms of homogenisation and uniformity or of heterogenisationand hybridity. Moreover, the repetitive temporality of the Unheimlich is another distinctive aspect that allows a reading of the disjunctive, non-linear temporal structure of these fictions from this perspective. The‘repetition compulsion', however, that Freud considered to be an example of uncanniness was also theorised by him as a post-traumatic symptom, and this implicit association of uncanniness with post-traumatic experience also allows to interpret the persistent preoccupation of these fictions with suffering and disaster, as well as their explorations of the ways in which collective tragedy and personal trauma reverberate within an increasingly globalised, interconnected world.
机译:该论文表明,网络小说在文学,电影,电视和互联网中的日益泛滥,可以通过一个理论框架来解释,该理论框架重新构想了Unheimlich(弗洛伊德关于“不在家”或“不可思议”的思想)的最初严格的心理分析概念。全球化的政治,经济和文化资源背景。 “网络小说”是由在不同时间和地点设置的多个相互关联的叙述构成的文本,探讨了跨越不同故事情节的人物和事件的相互联系:威廉·吉​​布森的《模式识别》(2003),哈里·昆佐罗的《传播》(2005)和《无神》等小说。 Men(2011),David Mitchell的《 Cloud Atlas(2004)》或Rana Dasgupta的《 Tokyo Cancelled》(2005)是其中的一些例子。我的论点是,这些小说的核心是一种“全球性的不在家”的感觉。这些小说所传达的流离失所,不安居和全球流动感,是Unheimlich体验的基础。此外,该概念传达熟悉和陌生感的能力有助于探索这些小说与全球化理论辩论进行互动的方式,这些辩论从同质化的角度感知全球流动与本地文化之间的相互作用均匀性或异质性和杂交性。此外,Unheimlich的重复性时间性是另一个独特的方面,可以从这个角度阅读这些小说的非连续性,非线性时间结构。然而,弗洛伊德也认为弗洛伊德认为是重复性的例子是“重复强迫”,是创伤后的症状,这种与重复性和后遗症经验的隐含联系也可以解释这些小说的持久性。遭受苦难和灾难,以及他们探索在日益全球化,相互联系的世界中集体悲剧和人身创伤如何回荡的方式。

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    Mousoutzanis, Aristeidis;

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